![]() Now that we’ve had a year to digest the ascendant auteur’s fully formed debut, one thing is clear: Get Out deserves to be crowned Best Picture at this Sunday’s Oscars, and it’s ridiculous to pretend the Academy would be doing the film a favor by recognizing its excellence.Įarlier this week, Vulture reported that some older Academy voters were refusing to so much as consider Get Out, deeming it “not an Oscar film.” But what even is an Oscar film nowadays? The definition keeps evolving as styles, tastes, and formats weave in and out of fashion. ![]() Still, nothing from that series necessarily signaled that behind the scenes lurked a cinematic prodigy-the mutant spawn of Ira Levin, Stanley Kubrick, and John Carpenter, but with a voice all his own and a lot to say. Previously, Peele had demonstrated an expert command of horror tropes and social commentary-and a flair for subverting both-with Key and Peele, the much-loved sketch show he made for five seasons with Keegan-Michael Key. The brainchild of former Mad TV cast member and first-time filmmaker, Jordan Peele, Get Out surprised almost everyone last February by becoming an instant phenomenon.
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